Thursday, December 26, 2019

10 Facts About the Element Iodine (Atomic Number 53 or I)

Iodine is element 53 on the periodic table, with element symbol I. Iodine is an element you encounter in iodized salt and some dyes. A small amount of iodine is essential for nutrition, while too much is toxic. Here are facts about this interesting, colorful element. The Name Iodine comes from the Greek word iodes, which means violet. Iodine vapor is violet-colored. The element was discovered in 1811 by French chemist Bernard Courtois. Courtois discovered iodine by accident while he was making saltpeter for use in the Napoleonic Wars. Making saltpeter required sodium carbonate. To get sodium carbonate, Courtois burned seaweed, washed the ash with water, and added sulfuric acid to remove contaminants. Courtois discovered adding an excess of sulfuric acid produced a cloud of purple vapor. While Courtois believed the vapor was a previously unknown element, he couldnt afford to research it, so he offered samples of the gas to his friends, Charles Bernard Desormes and Nicolas Clement. They characterized the new material and made Courtois discovery public. Isotopes Many isotopes of iodine are known. All of them are radioactive except for I-127, which is the only isotope found in nature. Because there is only one natural isotope of iodine, its atomic weight is precisely known, rather than an average of isotopes like most elements. Color and Other Properties Solid iodine is blue-black in color, with a metallic sheen. At ordinary temperatures and pressures, iodine sublimates into its violet gas, so the liquid form is not seen. The color of iodine follows a trend seen in the halogens: they appear progressively darker as you move down the group of the periodic table. This trend happens because the wavelengths of light absorbed by the elements increases due to the behavior of the electrons. Iodine is slightly soluble in water and more soluble in nonpolar solvents. Its melting point and boiling point are the highest of the halogens. The bond between atoms in the diatomic molecule is the weakest in the element group. Halogen Iodine is a halogen, which is a type of non-metal. It is located beneath fluorine, chlorine, and bromine on the periodic table, making it the heaviest stable element in the halogen group. Thyroid The thyroid gland uses iodine to make the hormones thyroxine and triiodotyronine. Insufficient iodine leads to development of a goiter, which is a swelling of the thyroid gland. Iodine deficiency is believed to be the leading preventable cause of mental retardation. Excessive iodine symptoms are similar to those of iodine insufficiency. Iodine toxicity is more severe if a person has a selenium deficiency. Compounds Iodine occurs in compounds and as the diatomic molecule I2. Medical Purpose Iodine is used extensively in medicine. However, some people develop a chemical sensitivity to iodine. Sensitive individuals may develop a rash when swabbed with tincture of iodine. In rare cases, anaphylactic shock has resulted from medical exposure to iodine. Food Source Natural food sources of iodine are seafood, kelp and plants grown in iodine-rich soil. Potassium iodide often is added to table salt to produce iodized salt. Atomic Number The atomic number of iodine is 53, meaning all atoms of iodine possess 53 protons. Commercial Source Commercially, iodine is mined in Chile and extracted from iodine-rich brine, notably from the oilfields in the US and Japan. Prior to this, iodine was extracted from kelp. Iodine Element Fast Facts Element Name: IodineElement Symbol: IAtomic Number: 53Atomic Weight: 126.904Group: Group 17 (Halogens)Period: Period 5Appearance: Metallic blue-black solid; violet gasElectron Configuration: [Kr] 4d10  5s2  5p5Melting Point: 386.85  K  Ã¢â‚¬â€¹(113.7  Ã‚ °C, ​236.66  Ã‚ °F)Boiling Point: 457.4  K ​(184.3  Ã‚ °C, ​363.7  Ã‚ °F) Sources Davy, Humphry (1 January 1814). Some Experiments and Observations on a New Substance Which Becomes a Violet Coloured Gas by Heat. Phil. Trans. R. Soc. Lond. 104: 74. doi:10.1098/rstl.1814.0007Emsley, John (2001). Natures Building Blocks (Hardcover, First ed.). Oxford University Press. pp. 244–250. ISBN 0-19-850340-7.Greenwood, Norman N.; Earnshaw, Alan (1997). Chemistry of the Elements (2nd ed.). Butterworth-Heinemann. ISBN 0-08-037941-9.Swain, Patricia A. (2005). Bernard Courtois (1777–1838) famed for discovering iodine (1811), and his life in Paris from 1798 (PDF). Bulletin for the History of Chemistry. 30 (2): 103.Weast, Robert (1984). CRC, Handbook of Chemistry and Physics. Boca Raton, Florida: Chemical Rubber Company Publishing. pp. E110. ISBN 0-8493-0464-4.

Wednesday, December 18, 2019

2 - 1200 Words

CHApter1 2.What key insights does the GEM study provide us about entrepreneurship? Of particular interest to GEM is early stage entrepreneurial activity, which consists of businesses that are just being started and businesses that have been in existence for less than three and one-half years. While the high rates of entrepreneurial start-up activities occur in low-income countries, where good jobs are not plentiful such as brazil, china, Argentina. Low rates occur in high-income countries, such as Germany, French, USA. also identifies whether its respondents are starting a new business to take advantage of an attractive opportunity or because of necessity to earn an income. High-income countries——attractive opportunity. Low-income†¦show more content†¦Why is a product/customer focus an important characteristic of successful entrepreneurs? While it’s important to think about management, marketing, finance, and the like, none of those functions makes any difference if a firm does not have good products with the capability to satisfy customers. 10. What is it about â€Å"tenacity† that makes it such an important characteristic for entrepreneurs? Because entrepreneurs are typically trying something new, the failure rate associated with their efforts is naturally high. 11. What are the five common myths of entrepreneurship? Myth 1: Entrepreneurs are born, not made. Myth 2: Entrepreneurs are gamblers Myth 3: Entrepreneurs are motivated primarily by money. Myth 4: Entrepreneurs should be young and energetic. Myth 5: Entrepreneurs love the spotlight. 12. What evidence do we have that debunks the myth that entrepreneurs are born, not made? The consensus of many hundreds of studies on the psychological and sociological makeup of entrepreneurs is that entrepreneurs are not genetically different from other people. These traits are developed over time and evolve from an individual’s social context. A moderate risk taker A networker Achievement motivated Alert to opportunities Creative Decisive Energetic A strong work ethic Lengthy attention span Optimistic disposition Persuasive Promoter Resource assembler/leverager Self-confident Self-starter Tenacious Tolerant of ambiguityShow MoreRelatedWorld War 2 : A Young Man By The Name Of Masaru Ibuka1244 Words   |  5 PagesIn 1946, When World War 2 was over; a young man by the name of Masaru Ibuka left the Japanese Navy and started his own business which was a radio repair shop. After one year of his business, his colleague Akio Morita founded the company Tokyo Tsushin Kogyo a.k.a. Tokyo Telecommunications Engineering Corporation. The company built the country’s first tape recorder known as the Type-G. 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Family can be one cause for a person to have diabetesRead MoreChildren And Type 2 Diabetes1533 Words   |  7 PagesChildren and Type 2 Diabetes Type 2 diabetes mellitus (T2DM) has been reported with increased frequency over the last twenty years in adolescents and children in the United States. As a result of T2DM glucose metabolism within the body of affected adolescents and children is severely compromised. Formerly known as adult onset and/or insulin resistant diabetes T2DM occurs due to the cell inability to properly use insulin which then results in lowered secretion of insulin as well as insulin resistance

Tuesday, December 10, 2019

Lightening up Essay Example For Students

Lightening up Essay If this is, as the local press likes to describe it, the make or break year for the new South Africa, then the same must be said of the nations theatre. The Market is in transition just as the country is in transition, says Barney Simon, artistic director for two decades of the Johannesburg venue that has emerged over time as South Africas primary exporter of challenging work. Whats true for the Market is true for playhouses throughout the country. For years, the battle lines were drawn, and theatre knew its function; now, apartheid is over, and with it has vanished protest theatre. In its place are the stories that need telling of a newly democratized countrythat is, if the storytellers exist to relate the tale. To a journalist visiting the country for the first time at the start of this year, whats unexpected about South African theatre is how familiar it all seems. The Johannesburg papers trumpet ads for established British hits like Shirley Valentine and The Woman in Black, as well as farces like The Earl and the Pussycat and Uproar in the House that one can envision without seeing them. Lest these comedies suggest that the theatre is shirking its responsibility to chronicle a nation in the midst of change, they in fact seem to be precisely what critics, as well as audiences, want. Guaranteed to banish the new South Africa blues, read the Johannesburg Stars synopsis of Uproar in the House, as if to make clear that in times of uncertainty, escapism is the solution of choice. Can it be any surprise, then, that the Johannesburg premiere of Six Degrees of Separation cut short its run last fall? In a city beleaguered daily by escalating violence, no one wanted to see a play whose starting point was the arrival of a black intruder into a white home. Try explaining that John Guares play in fact concerns emotional rebirth, and youre met with a blank stare. In context, one cant blame producer Pieter Toerien, the countrys leading commercial impresario, for moving away from Six Degrees to more genteel fare like Hugh Whitemores British The Best of Friends, as safe a parlor play as the theatre offers. (And cheaper to mount with its cast of three.) Next up for Toerien is Ray Cooneys new London hit, It Runs in the Family. South Africa may barely have heard of August Wilsonand never of Tony Kushnerbut the white theatregoing public is absolutely au fait with the work of Mr. Cooney. The cultural boycott, too, has taken a toll. This is an audience uneducated in the last decade or so about international theatre; their taste, in other words, merely reflects their exposure, or lack of it. Feasting on the unfamiliar These days, even the old faithfuls dont automatically sell. Athol Fugards Playland got the best reviews of any production in Johannesburg in 1992, but averaged only 75-percent attendance throughout its run. (In Cape Town the same production was coolly received, and closed several weeks early.) William Nicholsons Shadowlands, by contrast, played to near-capacity at the Market, featuring South African emigre Brian Murray (late of A Small Family Business on Broadway) on a rare return visit home. While John Kani in Playland at Londons Donmar Warehouse may represent an English theatregoing event, in South Africa, its simply more of the same for an audience keen to feast on worlds they dont know rather than reflections of the world they do. When Barney Simon tried to bridge the world of Chilean writer Ariel Dorfmans Death and the Maiden and that of South Africa by casting black actor Ramolan Makhene as the husband, audiences fell away even more sharply; that production played to 40 percent in the Markets 152-seat Theatre Upstairs. Poor reviews did not help. .udea86b1ae1505729251484d769655863 , .udea86b1ae1505729251484d769655863 .postImageUrl , .udea86b1ae1505729251484d769655863 .centered-text-area { min-height: 80px; position: relative; } .udea86b1ae1505729251484d769655863 , .udea86b1ae1505729251484d769655863:hover , .udea86b1ae1505729251484d769655863:visited , .udea86b1ae1505729251484d769655863:active { border:0!important; } .udea86b1ae1505729251484d769655863 .clearfix:after { content: ""; display: table; clear: both; } .udea86b1ae1505729251484d769655863 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .udea86b1ae1505729251484d769655863:active , .udea86b1ae1505729251484d769655863:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .udea86b1ae1505729251484d769655863 .centered-text-area { width: 100%; position: relative ; } .udea86b1ae1505729251484d769655863 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .udea86b1ae1505729251484d769655863 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .udea86b1ae1505729251484d769655863 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .udea86b1ae1505729251484d769655863:hover .ctaButton { background-color: #34495E!important; } .udea86b1ae1505729251484d769655863 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .udea86b1ae1505729251484d769655863 .udea86b1ae1505729251484d769655863-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .udea86b1ae1505729251484d769655863:after { content: ""; display: block; clear: both; } READ: The Crucible Essay PaperThe situation, then, somewhat echoes that of a much smaller trouble spot, Northern Ireland, where plays by local writers Ron Hutchinson and Anne Devlin rarely make the impact they do in London (or Off Broadway). The relatively recent introduction in 1975 of television to South Africa has further diluted a once considerable theatregoing culture, at least among the white minority. And after apartheid and its attendant states of emergency were lifted, South African theatre no longer needed to serve a journalistic, informative function. People could get their news from TV and the newspapers; they didnt have to turn to Bopha!, Sophiatown or Asinamali to find out what was happening. What, then, could a theatregoer keen to avoid downmarket British farce take in on a recent visit? The remaining options comprised a varied lot, linkedif at allby a bizarre obsession with Elvis Presley, of all people. In Cape Town, theatrical activity has moved away from the once-enterprising Baxter (home during my trip to The Rocky Horror Show) and the historic Space (now closed) to the Dock Road Theatre, a thrust 204-seater in the American-style Waterfront complex, located by the harbor. My first Dock Road outing was The Return of Elvis Du Pisanie, a solo show written by, and starring, local phenomenon Paul Slabolepszy. Now 44, the Britain-born Slabolepszy was taken to South Africa at age three, and has since developed a following as one of the few serious rivals to Fugard. Cape Town to Motown While a later play of his in Johannesburg would support that assertion, Elvis du Pisanie made it seem risible at best. These musings of a gum-chewing Afrikanerthe Elvis of the title, so-called because he had won third prize in a Presley lookalike competitionwere maudlin, self-aggrandizing and offensive in turn. The standing ovation notwithstanding, several audience members gathered in disbelief in the lobby afterwards to ponder the reviews, clucking their disapproval in ways to suggest that an American visitor was not alone in his assessment. The second Dock Road offeringDavis Kramer and Tallep Petersens hit musical Fairyland, since transplanted to the Marketwas marginally better, but no less sociologically intriguing. A follow-up to District Six, the widely traveled musical about the 250-acre Cape Town homeland razed under the Group Areas Action in the mid-60s, Fairyland could be regarded as Cape Towns own indigenous Five Guys Named Moe. Whereas one might expect at least a flash of anger as the talented cast makes its way through a song cycle of jazz, rock andyesElvis, this show was completely without irony about its desire to take Cape Town to Motown. While the first act at least established a community of smoothies, floozies and hustlers, the second act degenerated into a would-be tourist board-promotion, complete with a plug for the cast album and a curtain-call exhortation to tell the whole world we love you. The people the show is about may figure among apartheids more grotesque victimsa community that was literally bulldozedbut no historical event is so iniquitous that the Platters cant put it right, or so the evening implies. The audience, which kept Fairyland running in Cape Town for an amazing two years, responded with another standing ovation. Illuminating the way for change Black theatre takes place mostly in Johannesburg, since that city has a much larger black African populace than the predominantly Cape-colored Cape Town. While Gibson Kente remains the doyen of township theatre, Mbongeni Ngema is its leading internationalist, and he was in rehearsal at Johannesburgs Civic Theater for his most ambitious project yet: an expensive (3 million rand, or about $1 million) boxing musical called Magic at 4 A.M. starring Leleti Khumalo from Sarafina. While the show doesnt open until April, an initial listen to the score bodes well, even if the lyricsthe dream can come true if we make it happeninevitably seem naive set against Ngemas scintillating hybrid of rhythm and blues, gospel and township mbaqanga music. The work of a second black writer/director Matsemola Manakais equally earnest, if a bit more dogged, at least if his shows Yamina (among the first black African plays about AIDS) and Ekhaya: Museum over Soweto (about a museum opening in Soweto) are apt in dications. .u084978f694be9045716754bdebc73205 , .u084978f694be9045716754bdebc73205 .postImageUrl , .u084978f694be9045716754bdebc73205 .centered-text-area { min-height: 80px; position: relative; } .u084978f694be9045716754bdebc73205 , .u084978f694be9045716754bdebc73205:hover , .u084978f694be9045716754bdebc73205:visited , .u084978f694be9045716754bdebc73205:active { border:0!important; } .u084978f694be9045716754bdebc73205 .clearfix:after { content: ""; display: table; clear: both; } .u084978f694be9045716754bdebc73205 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u084978f694be9045716754bdebc73205:active , .u084978f694be9045716754bdebc73205:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u084978f694be9045716754bdebc73205 .centered-text-area { width: 100%; position: relative ; } .u084978f694be9045716754bdebc73205 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u084978f694be9045716754bdebc73205 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u084978f694be9045716754bdebc73205 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u084978f694be9045716754bdebc73205:hover .ctaButton { background-color: #34495E!important; } .u084978f694be9045716754bdebc73205 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u084978f694be9045716754bdebc73205 .u084978f694be9045716754bdebc73205-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u084978f694be9045716754bdebc73205:after { content: ""; display: block; clear: both; } READ: Sammy's actor EssayBoth Manaka and Ngema deserve added attention for the very sites of their newest shows. By opening Magic at 4 A.M. at the 1,100-seat Civic, Ngema and his producer ex-Market resident producer Mannie Manimare counting on a high level of black attendance in a traditionally white venue. (A Chorus Line, a Civic premiere last fall, did less-than-capacity business there, apparently because audiences were loath to see what they deemed to be a rehearsal.) Both Marakas shows were playing at different auditoria of South Africas four performing arts councils, onetime apartheid dinosaurs (according to detractors) attempting to adapt to the new climate. If the offstage scenario at the theatre sometimes reveals more than the one onstage, at least one new play Slabolepszys Mooi Street Moves, the authors 15th play offered hope in ways that went beyond the fully integrated Market Theater Upstairs audience. Set in Johannesburgs increasingly black Hillbrow section, the play brings together a black street hawker named Sipho (played by a dazzling young actor named Seputla Dan Sebogodi) and an itinerant white, Henry (Martin Le Maitre), in search of his brother. An initial encounter in Siphos apartment turns into a three-and-a-half week flatshare amounting, among other things, to a kind of Pygmalion in reverse, as Henry learns Siphos canny, streetwise ways. The evening ends cruelly, indeed tragically, and yet the authors abiding metaphor the sun allows for the possibility of redemption. While some in this transitional South Africa are fully preparing themselves for darkness, Slabolepszys wise and moving play makes clear that shared empathy and compassion may in fact illuminate the way for change. Listening to a shaken audience cheer the performance, one readily agreed. South Africas theatre, like the country around it, may by its own admission be groping in the dark, but Mooi Street Moves suggests that the end of the tunnel may as Nelson Mandela promised three years ago soon let in long-overdue light.

Monday, December 2, 2019

Kindred Spirits Essays - Collin, Bogle, , Term Papers

Kindred Spirits The Bogles Collin Bogle grew up in Northwestern Washington. As a kid he liked to spend his time outdoors, fishing, roller-blading, or riding his mountain bike. His father, Lee Bogle, was an art teacher in high school and even when Collin showed extraordinary artistic abilities it was still thought that he would be an accountant. Lee Bogle was absolutely amazed with Collin's ability. Today both Lee and Collin Bogle are professional artists. Both father and son live in Seattle and live 10 minutes apart. They both excel at realistic detail, if you saw their art, however, no one would guess their close connection. Lee Bogle, after painting wildlife subjects most of his life, has moved back to his first love- the human figure. He is best known for his Native American depictions in flowing backgrounds. Now he has shifted to ballet dancers. Unlike his father, Collin Bogle has moved toward wildlife. He takes adventures through the woods near his house with a camera looking for surprises. Drawing and painting were major passions for Lee Bogle, even in childhood. He pursued his art during evenings and weekends for twenty years while teaching during the day. He worked in stained glass, pottery, and even dipped into sculpture. His portrait work provided supplemental income for the family. As the demand for his prints increased, the tedious hand-coloring process consumed his time. So he hired Collin, his teenage son, as an apprentice. He assisted his father for several years, learning color and many techniques. Next, Lee experimented with oil pastel drawings against the free- form colors of the wash. He found the combination of abstract backgrounds and detailed drawings suited him. Eventually he moved to human figures as subjects. When Collin was still young he never imagined a career in art. Even after winning the ?most likely to succeed in art? award he still never imagined pursuing anything. It wasn't until one of his father's first publishers saw one of his paintings and asked him to do a print that he realized his capabilities. In order to get to his goal of being a professional artist Collin used to always ask his father to critique his paintings. Nowadays it's gotten to the point where Lee is sometimes asking his son for advice. Most of Collin's paintings start with extensive photography. He can sometimes spend up to twenty minutes photographing the same tree. He likes the peacefulness and freedom of being alone in the nature. Even though Collin may seem like a down to earth kind of guy, his techniques for composing his paintings are very modern. He usually starts by getting an idea for his next work on his computer. He will scan his photographs of animals and scenery into his computer and take it from there. He sometimes likes to change positions of objects, reverses images and adjusts sizes, colors and brightness. Usually to begin a painting Collin will airbrush the canvas a few tones darker than he wants the finished product to look. Then he works from dark to light using colored pencils and finishes with water based pastels. This technique has proven to make his works go by muck quicker. Collin's most well known skill is the ability to portray lighting in a very dramatic way. He considers this extremely vital to any composition. The advantage that Collin appreciates most is having an artist for a father. When Collin was nervous about some of his first shows Lee was always there for him to provide support and advice. At the age of twenty- five Collin has never held a full time job other than being an artist. Even though Collin has experienced a very early success he is still humble and aware of who helped get to where he is. Lee Bogle is very proud of his son not because he is a good artist but because he is a good person. Opinion I thought that this article was very touching. It's an exciting story about a good relationship between father and son. It's amazing how they both can stay very honest to each other and offer constructive criticism without getting caught up in the relationship as father and son. It makes for a good balance that can only have an outcome

Wednesday, November 27, 2019

Why We Should Use Japanese Internment Camps essays

Why We Should Use Japanese Internment Camps essays President Roosevelt, as your Foreign Policy Advisor I am highly against the internment of Japanese-Americans, but very flexible on my stance. We are taking away every liberty that the Japanese-Americans have. Yes I know what happened on December 7, 1941, when the Japanese planes bombed our American military installations in Hawaii, killing over a thousand men and woman; all but destroying the United States Pacific Fleet. Causing us the next day to officially enter the Great World War. The Japanese attack on our soil shocked the country, and many of us became suspicious of any and all persons of Japanese descent in America. With the media and the government also inflating this racial prejudice and discrimination isn't any help. Unfortunately you will sign Executive Order 9066 on Feb. 12, 1942. The Act will make it legal for the United States to extract Japanese-American families from their homes. How can U.S. citizens become prisoners in their own country, simply because of the ir cultural background, they did nothing wrong. They were not a part of Yamomoto's fleet. They had nothing to do with the bombing. Sir, the impact of this will be looked on as one of the worst decisions of your presidency if you indeed sign this order. How can we single out any culture to blame. We are doing exactly what the Nazi's of Germany are doing with the Jewish (creating a scapegoat). Sir, we are a better country than that of which locks up their fears. To take away the freedoms of our citizen, to stereotype in such a way would be despicable. What are we next going to do, throw all German-Americans in a "camp" too? How about the Italian-Americans, throw them in there as well? I should stop getting ahead of myself here. Maybe this is good. Maybe we should "protect our citizens from them". We have to do something like this. We need to do this now. Especially to appease our citizens. So why not do it to the group that has the least amoun...

Saturday, November 23, 2019

Understanding the Dual Court System

Understanding the Dual Court System A â€Å"dual court system† is a judicial structure employing two independent court systems, one operating at the local level and the other at the national level. The United States and Australia have the world’s longest-running dual court systems. Under the United States’ system of power-sharing known as â€Å"federalism,† the nation’s dual court system is composed of two separately operating systems: the federal courts and the state courts. In each case, the court systems or judicial branches operate independently from the executive and legislative branches. Why the US Has a Dual Court System Rather than evolving or â€Å"growing into† one, the United States has always had a dual court system. Even before the Constitutional Convention convened in 1787, each of the original Thirteen Colonies had its own court system loosely based on English laws and judicial practices most familiar to colonial leaders. In striving to create the system of checks and balances through separation of powers that is now arguably considered their best idea, the framers of the U.S. Constitution sought to create a judicial branch that would have no more power than either the executive or legislative branches. To achieve this balance, the framers limited the jurisdiction or power of the federal courts, while maintaining the integrity of the state and local courts. Jurisdiction of Federal Courts A court system’s â€Å"jurisdiction† describes the types of cases it is constitutionally allowed to consider. In general, the federal courts’ jurisdiction includes cases dealing in some way with federal laws enacted by Congress and interpretation and application of the U.S. Constitution. The federal courts also deal with cases whose outcomes may impact multiple states, involve interstate crime and major crimes like human trafficking, drug smuggling, or counterfeiting. Also, the â€Å"original jurisdiction† of the U.S. Supreme Court allows the Court to settle cases involving disputes between states, disputes between foreign countries or foreign citizens and U.S. states or citizens. While the federal judicial branch operates separately from the executive and legislative branches, it must often work with them when required by the Constitution. Congress passes federal laws which must be signed by the President of the United States. The federal courts determine the constitutionality of federal laws and resolve disputes over how federal laws are enforced. However, the federal courts depend on the executive branch agencies to enforce their decisions. Jurisdiction of the State Courts The state courts deal with cases not falling under the jurisdiction of the federal courts- for example, cases involving family law (divorce, child custody, etc.), contract law, probate disputes, lawsuits involving parties located in the same state, as well as almost all violations of state and local laws. As implemented in the United States, the dual federal/state court systems give the state and local courts leeway to â€Å"individualize† their procedures, legal interpretations, and decisions to best fit the needs of the communities they serve. For example, large cities may need to reduce murders and gang violence, while small rural towns may need to deal with theft, burglary, and minor drug violations. About 90% of all cases dealt with in the U.S. court system are heard in the state courts. Operational Structure of the Federal Court System The US Supreme Court As created by Article III of the U.S. Constitution, the U.S. Supreme Court stands as the highest court in the United States. The Constitution merely created the Supreme Court, while assigning the task of passing federal laws and creating a system of lower federal courts. Congress has responded over the years to create the current federal court system made up of 13 courts of appeals and 94 district level trial courts sitting below the Supreme Court. Federal Courts of Appeals The U.S. Courts of Appeals is made up of 13 appellate courts located within the 94 federal judicial districts. The appeals courts decide whether or not federal laws were correctly interpreted and applied by the district trial courts under them. Each appeals court has three presidentially-appointed judges, and no juries are used. Disputed decisions of the appeals courts can be appealed to the U.S. Supreme Court. Federal Bankruptcy Appellate Panels Operating in five of the 12 regional federal judicial circuits, the Bankruptcy Appellate Panels (BAPs) are 3-judge panels authorized to hear appeals to decisions of bankruptcy courts BAPs are currently located in the First, Sixth, Eighth, Ninth, and Tenth Circuits. Federal District Trial Courts The 94 district trial courts making up the system of U.S. District Courts do what most people think courts do. They call juries that weigh evidence, testimony, and arguments, and apply legal principles to decide who is right and who is wrong. Each district trial court has one presidentially-appointed district judge. The district judge is assisted in preparing cases for trial by one or more magistrate judge, who may also conduct trials in misdemeanor cases. Each state and the District of Columbia have at least one federal district court, with a U.S. bankruptcy court operating under it. The U.S. territories of Puerto Rico, the Virgin Islands, Guam, and the Northern Mariana Islands each have a federal district court and a bankruptcy court. Purpose of the Bankruptcy Courts The federal bankruptcy courts have exclusive jurisdiction to hear cases involving business, personal, and farm bankruptcy. The bankruptcy process allows individuals or business that cannot pay their debts to seek a court-supervised program to either liquidate their remaining assets or reorganize their operations as needed to pay off all or part of their debt. The state courts are not allowed to hear bankruptcy cases. Special Federal Courts The federal court system also has two special-purpose trial courts: The U.S. Court of International Trade deals with cases involving U.S. customs laws and international trade disputes. The U.S. Court of Federal Claims decides claims for monetary damages filed against the U.S. government. Military Courts Military courts are completely independently from state and federal courts and operate by their own rules of procedure and applicable laws as detailed in the Uniform Code of Military Justice. Structure of the State Court System While more limited in scope the basic structure and function of the state court system closely resembling that of the federal court system. State Supreme Courts Each state has a State Supreme Court which reviews the decisions of the state trial and appeals courts for compliance with the state’s laws and constitution. Not all states call their highest court the â€Å"Supreme Court.† For example, New York calls its highest court the New York Court of Appeals. Decisions of the State Supreme Courts can be appealed directly to the U.S. Supreme Court under the Supreme Court’s â€Å"original jurisdiction.† State Courts of Appeals Each state maintains a system of localized appeals courts that hear appeals from the decisions of the state trial courts. State Circuit Courts Each state also maintains geographically dispersed circuit courts that hear civil and criminal cases. Most state judicial circuits also have special courts that hear cases involving family and juvenile law. Municipal Courts Finally, most charted cities and towns in each state maintain municipal courts that hear cases involving violations of city ordinances, traffic violations, parking violations, and other misdemeanors. Some municipal courts also have limited jurisdiction to hear civil cases involving things like unpaid utility bills and local taxes.

Thursday, November 21, 2019

UEL Undergraduates Planning Essay Example | Topics and Well Written Essays - 4000 words

UEL Undergraduates Planning - Essay Example The society also benefits both directly and indirectly from these higher learning institutions. The direct benefits of the society come as a result of the existence of these institutions within the locality of the area surrounding the community. These benefits include community projects that can or may be fully funded by the institutions such as the construction of boreholes or water points, health faculties can also be accessed by the community members, the society also gains access to electricity by virtue of the existence of the higher learning institutions. Similarly, the community also benefits from access to good roads and telecommunication networks that are essential for transport and communication. The benefits to the society are very many hence outweigh the disadvantages. The indirect benefits that the society enjoys from the existence of these higher learning institutions are seen through many ways. Firstly, the institutions produce very productive and industrious individua ls with skills and knowledge that they will apply to stimulate economic growth in the society. This will also later provide employment opportunity to the society members and as a result, an improved standard of living is realized. Secondly, the literacy levels of the society are increased since the institution educates trains and equips the students with skills that are very important life. ... Â  The study was done on 40 students picked randomly within the school. The methods used to collect the data were mainly through the use of questionnaires and interviews. The methods were made to be interactive so as to get the information directly from the students. This was done so as to obtain accurate and efficient data from the study. The study would later help both the students and the university itself to improve their learning and the learning techniques respectively. This would be realized by analyzing the findings collected from the study and coming up with concrete solutions that would enable the students to learn effectively. Findings After taking a sample of forty students from various faculties in the institution by random sampling method, it was established that 40% of the students take 5 – 6 hours in their personal studies while 60% take under 5 hours on their personal studies. The majority of the students was found to allocate a few hours to their personal st udies due to the fact that during the daytime, they have to attend lectures that are in most cases spread across the day with break intervals to prepare for coming lectures or go for lunch. In the wee hours of the day, most students were established to concentrate more on their social welfare than creating more time for their personal studies. 40% of the sampled students who were found to spend more time in their personal studies were serious in pursuing successfully their faculties.